Showing posts with label Artist Mentors Online. Show all posts
Showing posts with label Artist Mentors Online. Show all posts

Wednesday, February 22, 2012

Two In A Row

I'm pleased to report that I have recieved an Honorable Mention for the second consective time in an on-line painting challenge at Artist Mentors Online. The challenge this time was produce a painting without using a brush. Finger painting was encouraged, as was palette knife use. My offering is a an oil sketch, 9" x 12".



I've never been terribly fond of the palette knife as an actual application tool, but I gave it a go, as well as fingers, Q-Tips, cut up credit cards, paper towels and corrugated cardboard. I will admit that I was surprised at how pleased I was with the results of the knife on the the large rock shape.

You might notice that this painting resembles the image from my previous post. In truth, this one was done first, as a memory exercise; I used no reference. It seems to me that a memory exercise like this is valuable in a couple of ways. One, it tests your powers of observation. Have you really been looking, or just passing through? Secondly, it will emphasize the elements that attracted you to the image in the first place, the elements that inspired you.

My only visits to this area of Georgian Bay have been in full, sunny daylight, and I've never been at this place in a storm, so I don't what possessed me to create the stormy atmosphere, but I think this is a successful concept. I'll likely paint a larger, more finished piece based on this sketch. I might even use some palette knife...

Tuesday, December 27, 2011

Honorable Mention

I was very pleased to receive notification today that I had garnered an Honorable Mention in a recent painting challenge. This is an online event at Artist Mentors Online, a project of Kevin Macpherson. This was very exciting personally because I hold Kevin in great esteem as a painter and teacher. I highly recommend his two books, Fill Your Oil Paintings With Light and Color, and Landscape Painting, Inside and Out.

The challenge for this painting was to use a single large brush for the entire painting. In my case, I used a Princeton #12 syntheyic flat (about 1" wide) on a 12 x 16 panel.

 This is a view from Picardy in northern France. My wife and I had the good fortune to spend two weeks in Europe this summer, and much of our drive was occupied with visiting First World War memorials. We had stopped at a memorial for Canadian soldiers who lost thier lives at the Battle of Courcelette, and this was the view across the fields towards the village. I have plans to do more paintings from that trip, from images of the Netherlands and Belgium, as well as France.